Sept 2014 – Feb 2015
Design project: Bugged
DG000 - Introduction to competency based learning
2WAB0 – Calculus
PDP
At the age of 17 I moved to Eindhoven and I started the studies of industrial design directly after I finished my high school. This first semester was all about introduction. Introduction to the education system of industrial design at that time, as well as introduction to designing. In a group I performed my first iterative design process that touched briefly on a fair number of design activities: idea generation, different ways of user involvement, prototyping with several different materials and technologies, video prototyping and even mathematical modeling. Although the quality of all those design activities on itself was not impressive at all, the quality of the design process was already of a high level.
“the team process and going through the design process were from a very high level. Next periods you should use to deepen the separate design process parts and competences.” – G. van Gageldonk – project coach Bugged
During this semester I also started to explore my whereabouts as a designer in relation to the world we live in. I took part in the course ‘Design History in Global perspective’ by Dr. Johanna Kint. The course consisted of weekly presentations of research by the students about the work, historical background, ideology and political background of several important designers. Next to that we were asked to design an object for the Rietveld-Schröderhuis in Utrecht, following the principles of ‘de Stijl’.
I loved every minute of this course, as it fed me with knowledge about the most influential designers, thinkers, and builders of our world, and how their visions still impact our world today. This historical background of design gave me a frame of reference to analyze nowadays society and present day designs. Dr. Kint showed me that designing without a vision is simply meaningless, and that designing from a well understood and well-articulated vision creates beauty in all levels of the product. Johanna gave me the confidence that I was well on my way to create beautiful and meaningful designs.
“Within this assignment you very much succeeded on all levels of comprehension and reflection. I very much appreciated your enthusiasm and motivation. The coherence and depth of your research and reflection and the iteration into the making of a ‘De Stijl’ product proved well-founded.” – Dr. J.M.L. Kint, Lecturer of Design History in Global Perspective
Feb 2015 – July 2015
Design project - Responsive Performance Space: GMIS
DG512 - Designing Tangible Business Models
DG291 – Creative Electronics
0LEB0 – Introduction to Modelling
0SAB0 – USE Basis
PDP
This semester I needed to balance out my development of the expertise areas. Therefore I chose the course ‘Designing Tangible Business Models’ by Camilla van den Boom. Goal of this course was to design a business model for the TU/e campus envisioned in 2020 and build a prototype that shows this business model in a physical way.
Next to the knowledge and experience of how to use the business model canvas, my attitude towards ‘business’ changed completely. Where I first saw business as the dirty way of making money, I started to see it as the mechanism of creating value for all stakeholders, which is vital for introducing a product or service to the world.
The course ‘Creative Electronics’ helped me to overcome my insecurity of using electronics in my prototypes. It practiced my analytical thinking skills, learned me how to calculate, solder and document electronic circuits and thereby enables me to discuss electronics with non-designers using the right vocabulary. This course showed me the joy (and frustrations) of hands on exploring electronics. I love the elegance of functionalities of electronic components and I guess I just love the look and smell of them.
Further this semester was the semester of tough teamwork. The business model team as well as the design project team did not run smoothly at times due to a combination of factors. Main learning outcomes were to communicate my expectations very clearly, and the realization that I can be a team leader, as many times the members of the project team, as well as the assigned team leader came to me for guidance of the project.
Lastly I believe that my overall understanding of designing grew significantly this semester under guidance of Berry Eggen. As he was my project coach, he shared as much of his knowledge and enthusiasm with me as I could take at that moment. His coaching broadened my view on design and studying industrial design and helped me to find my interest in light and sound design.
Sept 2015 – Feb 2016
0HEUA0: Light and Experience
0HEUA0: Advancing Light for Human Functioning
4WBB0: Engineering Design
3NAB0: Applied Physics
CEL: Design project interactive lighting
PDP
This semester was the semester of exploring leadership: I gave myself the challenge to explore my capabilities as a team leader in my design project. It became clear to me that I naturally have a clear vision on the structure and direction of a design process and thereby gave the team members guidance step by step. But I lacked to act as a leader when it came to decision making and presenting myself as a team leader.
Next to that I made a major development in understanding design processes. As me and my team members came from different educational backgrounds, we had different design approaches and were used to different design processes. To explain the explorative design approach and iterative design process to the others, I needed to fully understand what I was doing and why. This gave me a critical attitude towards my own design approach and a broader perspective on other design approaches (research based) and processes (linear design processes).
The difference in education between the team members also had another great learning outcome: seeing the importance of high quality visual presentation. As one of the team members was educated at an art school, he was used to present everything he did in a convincing and well-designed visual language. This attention to detail in the appearance every design activity took the overall quality of the design process to a higher level.
The USE learning line of ‘The Secret Life of Light’ deepened my knowledge of human perception and the role that light plays in human functioning. It sparked my interest in light as a design material even more and therefore gained a spot in my vision on design.
Feb 2016 – July 2016
DDB912 – Intercultural Awareness & Design
0HUAU0 – Innocent Light, USE project
7HK40 – Liberation of light, project
Research Project: Ultra Personalized Smart Textiles Products Services and Systems
DDFB311 – Basic Form giving skills
PDP
Up until now, I had never done design research. Although I did some literature researches now and then, I had never set up an experiment in a scientific way. And this was what the research project in this semester was for. A whole new world opened itself to me: the world of designing the knowledge to design with. My attitude towards science and scientific knowledge also changed. I realized that it is the designers task to bring scientific research into practice. It is our task to use the information that scientific communities produce by combining information from different fields it into something new, and give it a practical place in everyday life.
Within the research project, two iterations of the research were done. This gave me the chance to dive deeply into the user research methodology of the repertory grid study, as we could practice the process once and improve all elements in the second iteration. Hereby I wanted to fully understand the research process and all steps. I took the responsibility for the setup of the research and executing the interviews, where I practiced interviewing techniques. I definitely enjoyed interviewing and the qualitative analysis of this research. The quantitative analysis was done by a Principal Component Analysis, Cluster analysis and semantic analysis. This was the first time I got exposed to performing statistics and it took me a lot of effort to understand these methods, but hereby I believe I developed the expertise area of Math, Data & Computing significantly.
“Your research process was of excellent quality: you did 2 complete iterations and improved a lot. We see that you really understand the methods: great work!”
– Oscar Tomico Plasencia, project coach
The expertise areas of Technology & Realization and Creativity & Aesthetics were developed significantly as well during the project and the elective of Basic Form giving Skills. We were encouraged to explore different textiles and rapid prototyping techniques (3D printing and laser cutting/engraving) and I practiced the crafts of woodworking, forming soapstone and MDF modeling. As the lecturers of both the project and the course demanded a high quality presentation, I put much attention into the details of the deliverables, which again, took the projects to a higher level. I noticed that raising the expectations of the presentation quality motivates me to deliver work from a higher quality overall, as it gives me more confidence to show my work to the world.
“The demonstrator was of high quality! Used during the project market as an escellent example of doing research.”– Oscar Tomico Plasencia, project coach
Lastly I implemented the design approach of material exploration into my USE design project (innocent light). The difference was that the material to design with here was a light projection instead of a physical material. I loved playing around and experimenting with the experience the installation gave and I learned that one of my strengths in designing is to puzzle a strong concept together. As the ‘Virtual Self’ light installation build in this project was received positively, we were asked to develop it further into an installation for GLOW 2016, in the Liberation of Light Project, which we named ‘Intermedia’.
Halfway my B2.2 I took part in the ‘kandi-trajectory’ but, at that time a bit unexpected to me, was not chosen to take a place in the board. Instead, I went my own way looking for projects I would like to do, and asked Philip Ross whether I could proceed working on the Intermedia project for GLOW 2016. Paper wise it was most convenient to start an internship at the Intelligent Lighting Institute (ILI TU/e) for which Philp worked, so I could support him in his job to realize several light installations for the GLOW NEXT route at the TU/e campus that year.
During the internship I took a leading role in the design and realisation of ‘Intermedia’. This installation was built by a team of 10 students from different faculties. To guide them all and collaborate with the external partners, I needed to understand and keep track of the whole design process up to the smallest details. This definitely boosted my organisation skills. I loved to work with this broad variety of people and I learned how to address all of them properly, to improvise and to make decisions fast.
“Randi performed very well in circumstances of high pressure. Glow is a high profile event, and during the realisation process, she had to deal with many unexpected setbacks. She stayed focused and constructive, minding not only her own work but also that of others.” – Philip Ross, company coach, project leader Glow Science
My role in the design team of A.R.T. was completely different: a helping hand throughout the project. I took on fragments of the design process where I had no (or hardly any) experience with and were part of my learning goals concerning technology and realization: building a “GLOW-proof” electronic circuit and programming a segment of the digital infrastructure to link the sensor output to the software.
The whole team together performed the process experimented with the precise light and sound setup. I was grateful that I was part of a professional design team with high quality standards and thereby could get a complete view on a future work field. Here I saw the experimental design approach learned in my B2.2 project, where decision making is also based on intuition, brought into practice. By experimenting with light, I developed a critical aesthetic eye on (architectural) lighting design. As this was the first time I designed audiovisual installations, I noticed I was lacking knowledge about acoustics and sound design, which had a great influence of the choice of upcoming courses.
Next to this internship I also ran Eindhoven’s student symphony orchestra for a year. This included the financial realization of 3 concerts, for which the orchestra partly needed to raise funding. Here I learned the financial side of organizing these events too: how to budget and realize these budgets and how to request funding. By the end of the year I developed myself into a neatly bookkeeper. Together with the conductor I developed a strong vision for Ensuite, placing the orchestra in Eindhoven’s cultural landscape. By policy making, and act according to this, I made the orchestra more future proof.
Next to the board year, I followed the Physics of Light, and Sound Design courses. I chose both of them to develop my knowledge and skills of light and sound design further, which I want to use when designing more audiovisual installations/designs.
Another important aspect of my board year was that as I was responsible for the orchestra on my own, I could not hide from this responsibility. I lived for the orchestra, and as there was always something to do, I kept going. For the orchestra, the conductor and external partners this was wonderful, as they always had the information they needed, but I did not see what I was doing to myself. At the end of the board year, I was diagnosed with a burnout.
From September 2017 to july 2018, I spend recovering and only took a few courses that were of interest to me. Exploratory Sketching thought me how use the skill of sketching as a design tool to explore different ideas. Thereby I learned to create images of ideas that convincingly communicate their stories.
The coherent learning package of ‘The Science of Sound and Music’ made me aware of the wide range of acoustic principles, phenomena and applications in everyday life (acoustic awareness) and their scientific background (the science of sound). In the ‘sounds good’ project, I implemented this knowledge and acquired the skills that are required to tackle an acoustic problem for a client: modeling the acoustic behaviour of the room, performing acoustic measurements to verify the descriptive model and use the model to calculate possible solutions.
Due to the course design innovation methods I am familiar with the vision in product design (ViP) method and clearly saw the differences of the method compared to the reflective transformative design process.
Feb 2017 – July 2018
7HK30 – Physics of Light
DDB130 – Sound Design
DZB120 – Exploratory Sketching
7S5X0 – Acoustic Awareness
7S6X0 – The Science of Sound
7SAX0 – Sounds Good!
DAB200 – Design Innovation Methods
Board year ESMG Quadrivium - Ensuite
A.R.T. Klanglicht 2017
The most important goal of my final bachelor was to study again in a healthy way. I constantly had to watch myself to work in a balanced way: striving for a satisfying project outcome while preserving the time and energy to socialize, sport, make music and recharge from studying was my ultimate goal. Although I definitively had my ups and downs, I managed to fulfill this design project in a way that I am overall content with.
Another important learning goal was to deliver a working demonstrator. Also this I accomplished. I rediscovered the joy I have in working with electronics, and I am less afraid of programming. Next to that outdid myself in bringing all the components of the project together at the final demo day. When I began this project I did not think I would be able to manage a project of such quality.
Lastly I planned to incorporate my sketching skills as developed in the course exploratory sketching, in my project. In doing so, the sketches became an important part of my visual identity.
B1.1
B1.2
B2.1
B2.2
B3.1
B3.X
B3.2